A Few Favorite Fictions: May 2018

We are living in the absolute Golden Age of SFF short fiction. There is so much brilliant writing happening and being published, and I love the sheer magnitude and variety we are blessed with on the internets. So here are a handful of stories I read in May and loved. Please enjoy!

highfive
gif from The Emperor’s New Groove: Kronk and Yzma high-five

A Promise of Flight by Lee S. Bruce (Fireside)

This story is so fricking cute: a simple promise leads the narrator on a journey of self-discovery, and the ending is hilarious, sweet, and so perfectly earned. I loved everything about this. Plus, the artwork by Maggie Chiang is gorgeous! Never underestimate the power of the human spirit. Treat yourself and read this. 😀


Bride Before You by Stephanie Malia Morris (Nightmare)

Wow, this story. So creepy and evocative and full of voice. A story about family and loss and need. Stunning work—Morris builds a fascinating, gut-punch portrait of a family, of human and monster. The ending is perfect, because it brings us full-circle and allows compassion and hope into the darkness, a light to guide the future forward.


Cherry Wood Coffin by Eugenia Triantafyllou (Apex)

In less than 1,000 words, Triantafyllou builds a complex, haunting, heart-wrenching slice of life surrounding a coffin builder, and the wood that speaks to him. It’s evocative and surreal and the ending is spot-on and wickedly perfect.


Emperor All by Evan Marcroft (Pseudopod)

This is really fucking effective horror brought to a nearly cosmic scale, while deceptively stationed within the bounds of a single unnamed city. A man named John discovers that he has a nearly infinite power to alter reality around him and makes himself the king of the city. At first he just wants to make his life better for him and his wife. But as they say, power corrupts: and this story takes a horrifying brutal look at just how far power can corrupt, and the extents that people in power will go to keep what they have. The subtle manipulation of the narrative as the story progresses is brilliant and I love how it ends, with the chaos never-ending.

With evocative, compact, seemingly effortless prose, Marcroft builds the layers of corruption and horror the longer John is in power. It’s almost entirely told, without dialogue, and it’s incredibly effective: within a few thousand words, we cover decades of stagnation and entrapment horror within this city. The narrative is relentless and brutal and unflinching.

It’s damned good, and will haunt you long after you finish reading.

Trigger warnings: rape, genocide, atrocity, suicide, torture, gaslighting, abuses of power. This is a dark story and very much full of horrible things happening to people, as done by other people.


Godmeat by Martin Cahill (Lightspeed)

This story is a stunningly delicious sensory feast of fucked-up gods and broken mortals and it is amazing. Such layered, savory detail, blended with a cup of anger and garnished with hope at the end. Rich and exciting, with a dash of horror and a thick aroma of dread; fantastical and frightening; luxurious and lush; a story that will kindle hunger in your bones. Cahill has cooked up a masterpiece of gorgeous language and breathtaking imagery, of too-real people and the choices they make, of gods and monsters and mortals all adding to the narrative’s distinct, perfectly weighted flavors.

Trigger warnings: eye trauma, suicidal ideation, mass destruction.


Humans Die, Stars Fade by Charles Payseur (Escape Pod)

SO GOOD. SO POWERFUL. A star learns to live again after grieving the loss of their love, and connects with the humans who find them; it’s beautiful and brilliant and full of wonderful queers and hopeful at the end. It made me cry in a good way and I cannot recommend it enough. This is the kind of uplifting science fiction I want to see so much more of in the world. ❤


One Day, My Dear, I’ll Shower You With Rubies by Langley Hyde (PodCastle)

In this story, Hyde gives us a thoughtful, emotional, and nuanced look at the aftermath of war and the war criminals involved, and the complications of what makes people human. It’s a hard read, but worth it. Hyde builds up all the people involved in complex ways, not shying away from the good or the bad. It offers no easy solutions and no pat ending. This is a quiet, difficult story and it takes its time—no flashy finale, just a sad, necessary end that has as much catharsis as room for the narrator to come to terms with her past, herself, and her future.


Reliving My Grandmother’s Youth by Charlotte Huggins (Flash Fiction Online)

A sweet story about family and support and coming into your own voice. Also I love the narrator’s familiar!


So It Was Foretold by Mimi Mondal (Fireside)

Damn. This one is powerful, emotional, beautifully written and full of rage and loss and grief and refusal to give in, be forgotten, let the stories of one’s history and ancestors die untold. Mondal delivers a powerhouse narrative in few words and it will haunt you long after you read the last lines.


Sucks (To Be You) by Katharine Duckett (Uncanny)

This is a delightful mashup of modern tech and succubi mythos. Duckett blesses us with a great voice and gorgeous prose, a funny, sweet and bittersweet story about connections and all the threads that tie us, as people, together. Full of shiny yet grounded in all-too-relatable needs, this one will stick with you.


Take Pills and Wait for Hips by Anya DeNiro (Catapult)

DeNiro’s story about a trans woman who is transitioning is powerful and moving and hopeful, and there is such a wrenching, breathtaking sense of self in this narrative that it feels autobiographical. The prose is electric and sharp, the voice transcendent. Gorgeous, gorgeous work. ❤


The Paladin Protocol by Sydnee Thompson (Fireside)

What a fascinating look at tech and consent and the use of power; with a non-binary protagonist! I love seeing that. It ends a little abruptly, but in a way that makes you think. There is a lot packed into this, layers to unpeel and examine upon further re-reads. Thompson has created an awesome near-future world and technology that seems all too real and possible, along with the implications of its use.


The Pine Arch Collection by Michael Wehunt (The Dark)

Creeping and unsettling, this story about a found-footage horror movie project that two unsuspecting filmmakers get drawn into is eerie as fuck. “Heavy black lump” as a descriptor has never been more chill-inducing than in this story.

The arms of the heavy black lump reach closer to your windowsill. 

This reminds me in an excellent way of “each thing i show you is a piece of my death” by Stephen J. Barringer and Gemma Files. Found-footage as a genre is an uneven patchwork in the history of horror, but when done well, it can be brilliant. “The Pine Arch Collection” captures the horror and terror and sensory wonder of the best found-footage and metafictional insights into horror, movies, and our darkest selves. It is visual in just the right ways, and the format—a collection of emails—adds to the sense of reality and inevitability. It’s amazing and I recommend it a lot.


Variations On a Theme From Turandot by Ada Hoffmann (Strange Horizons)

In a word: magnificent. This story (which, disclaimer: I beta read in several different versions) is a pièce de résistance; a triumphant, harrowing, brutal, beautiful, operatic tour de force story taking on Puccini’s Turandot and the troubled narrative of dead women in the composer’s work. Hoffmann weaves an ever-more-complex series of narratives: Liu’s story with the Princess in the opera itself; Liu’s realization of who she is and what her role is; the Soprano who sings the role of Liu; the layers of ghosts and stories both Liu, the Princess, and the Soprano must navigate to find their own ending. This is full of grief and loss and pain and rage and hope and triumph. It is metafiction in the way it examines the opera, and changes the reality of the story through the agency of the women who take their destinies into their own hands; women who will not be forever silenced by the pen or words; women who find solace and who aid each other and build a better future, a truer ending for them all.

Trigger warnings: rape, genocide, torture, suicide.


We Feed the Bears of Fire and Ice by Octavia Cade (Strange Horizons)

A brutal and wrenchingly sad, satisfying story about climate change and complacency and guilt; gorgeous visuals both searing and hauntingly cold. Cade’s prose is a masterclass of exacting language, tone, and pacing. The story builds and builds until you don’t think you can endure any more, and then like a breath, like a scream, it lets go, lets you release the tension and rage knotted taut inside, and then you can bask in fierce satisfaction at the end. Fantastic work.


turtle

Big shout-out to these awesome authors and their excellent stories! Check back next month for another round-up, or feel free to follow me on Twitter @Merc_Rustad for instant recommendations as I have them. Cheers!

A Few Favorite Fictions: April 2018

Pretty sure at this point I will just ¯\_(ツ)_/¯ at the idea of reading everything I want in a given month at this point, so let’s move on! 😀 Here are a handful of stories I read in April and loved. Please enjoy!


50 Ways To Leave Your Fairy Lover by Aimee Picchi (Fireside)

A practical and hilarious guide to ditching your fae boyfriend, such as the idea a quest: Ask your fae boyfriend to find all the Easter eggs in “The Witcher 3.” 

geralt dancing
gif of Geralt dancing (from The Witcher 3: Heart of Stone DLC)

This story is utterly charming, funny, sweet and has the loveliest ending. Highly recommended!


A Priest of Vast and Distant Places by Cassandra Khaw (Apex)

Gorgeous, chilling story about plane gods and priests. HOLY WOW, this is so cool—all the world-building sketched in casual mentions and all the depth of this world alluded to in the smallest details— and hits you right in the feels. ❤


And Yet by A. T. Greenblatt (Uncanny)

A haunting story about family and disability and PHYSICS! A disabled physicist revisits a haunted house to try to document her theories about multiple universes, and in the process, she discovers truths about herself and is able to make peace with elements of her past. The ending is powerful and emotional and perfect.


Being an Account of The Sad Demise of The Body Horror Book Club by Nin Harris (The Dark)

A creepy, awesome story about a book club, and its founder, who lives under the apartment of a serial killer. Supremely rich in detail and atmosphere, and unsettling the more you think about it. Loved it!


Canada Girl vs The Thing Inside Pluto by Lina Rather (Flash Fiction Online)

This is a sarcastically charming take on superheroes and giant planet-eating space aliens! Also TV shows and nostalgia in Hollywood. It’s funny, with a nasty edge, and I love it.


Don’t Pack Hope by Emma Osborne (Nightmare)

HOLY FUCK. This story is a gut-punch of emotional resonance and it’s so goddamn real. About a trans NB person dealing with the apocalypse. Brutal, truthful, and despite the title, hopeful.


The Elephants’ Crematorium by Timothy Mudie (Lightspeed)

Weird and bittersweet and evocative, this story is about a world changed by some cataclysmic event. A researcher connects with the elephants she studies, and together humans and elephants learn how to hold on and look to a future they will make for themselves.


Flow by Marissa Lingen (Fireside)

This is a powerful, wrenching, beautiful story about disability and naiads and finding yourself again. It’s outstanding, emotional, triumphant, and will stay with you.


Giant Robot and the Infinite Sunset by Derrick Boden (Diabolical Plots)

A bittersweet story about Giant Robot who just wants to remember colors in the sunset. A great voice. I mostly want to give  Giant Robot a hug!


Her February Face by Christie Yant (Diabolical Plots)

This story will GIVE YOU LIFE. It’s so beautiful and real and aching and hopeful and uplifting. ❤ ❤ ❤ It’s fantastic start to finish, and oh what an ending it is. So perfect.


Logistics by A.J. Fitzwater (Clarkesworld)

A post-apoc story about a non-binary person navigating the plague-devastated landscape and it’s fantastic! Enfys is on the hunt for tampons, and their voice is charming, honest, cheerful and wonderful all around. There is a strong current of emotion running through this, too; Enfys starts off alone, but they find people along the way. Great use of streaming channels and internet culture, plus I love that people are good and help each other in the wake of chaos.


On Good Friday the Raven Washes Its Young by Bogi Takács (Fireside)

Angry, powerful, vivid—with sea monsters and tech and an intersex non-binary narrator. This is a fabulous story about faith and ecology and tradition. It will stick with you!


Pistol Grip by Vina Jie-Min Prasad (Uncanny)

Sexy, kinky, and charming—a murder!bot and a human team up to escape their mutual destruction, and develop a relationship in the process. Prasad has incredible range in her writing, and this one shows off erotic prowess really well. 😉 Probably NSFW.


Snake Season by Erin Roberts (The Dark)

Deeply unsettling and creepy, with an unreliable narrator, and an incredibly articulated atmosphere. You can almost smell the bayou in the words. Roberts has such a wonderful sense of voice an eye for characterization. She’s so good, I recommend keeping an eye on her work!


And now have a gif of a kitteh and toebeans.

giphy-downsized (22)

Big shout-out to these awesome authors and their excellent stories! Check back next month for another round-up, or feel free to follow me on Twitter @Merc_Rustad for instant recommendations as I have them. Cheers!

A Few Favorite Fictions: February and March 2018

February is a bit of a blur and I didn’t read nearly as much as I wanted, so I decided to combine that month with March. (And let’s be real, I still didn’t read as much as I wanted. But What’s glorious about fiction is that it doesn’t expire. 😀 I can continue to work through open tabs in my browser and still read new releases as they come out. Wheee!) You can read January’s recommendations here!


 

A Cure for Homesickness by S. L. Scott (Escape Pod)

This is a hilarious, heartwarming, charming story about an alien crew who is trying to figure out how to help their human crewmate deal with homesickness. The solution will make you melty with glee. Such a great feel-good tale!


A Very Large Number of Moons by Kai Stewart (Strange Horizons)

Surrealist and very sweet; a great idea and has a lot of heart. The protagonist collects moons, and when someone comes seeking a specific moon, they might just have what is needed to help another person cope with grief. Lovely through and through.


A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies by Alix E. Harrow (Apex)

Utterly fantastic, brilliant story about books and need and helping people—a librarian works to help a depressed teenager survive with books. I’m a puddle of feels by the end, and I love it so much! It keeps you riveted by the heartstrings and gives you such a breath of relief and a smile of joy by the end.


By the Mother’s Trunk by Lisa M. Bradley (Fireside)

A quiet, moving story about an elephant—lovely sensory detail and fascinating historical factoids make this a compelling, thoughtful little tale. While animal fiction can often make me tense up, expecting the worse, I’m so glad to report this does have a happy ending and it’s overall a pleasure to read.


If Only Kissing Made It True by Jason Kimble (Cast of Wonders)

This is a sweet, full-of-feels time travel story with a positive-possible ending! Funny, real, compassionate and lovely, this one will make your heart warm (and maybe beat a little faster in places!). 


Lava Cake for the Apocalypse by Wendy Nikel (Nature)

A wonderful little story about food and friendship and hope IN SPACE! Bonus: it’s a fantastic take on the recipe format, and the ending is as sweet as the delicious cake that results.


Object-Oriented by Arkady Martine (Fireside)

What a lovely, emotional, powerful story. It’s about people who survey disaster areas and are empathetic to the places and people for which they are there to help. The prose is gorgeous and the voice strong, and it’s all grounded in a deep, immersive sense of compassion. 


Sour Milk Girls by Erin Roberts (Clarkesworld)

WOW. This has an awesome voice, a really sad and believable premise, and will knock you down, kick you in the gut, and make you remember every moment by the end. Erin Roberts has created a breathtaking, heartbreaking world and characters whom you will not forget soon. Amazing stuff.


The Ghost in Angelica’s Room by Maria Haskins (Flash Fiction Online)

Powerful, disturbing, emotional, haunting—this story, about grief and loss, ultimately has a trace of hope in the end. Trigger warnings for suicide and gun violence.


The Good Mothers’ Home for Wayward Girls by Izzy Wasserstein (Psudeopod)

Oh my god, this is disturbing and creepy as fuck, with a great voice and unsettling premise! It’s horror of the most effective sort for me: it defines the monsters without explaining them. We don’t really know what the Mothers are, or what is outside, and that makes it all the more terrifying. Brilliant stuff.


The Snake As Big As Their House by Sommer Schafer (Catapult)

This is a fantastic, fascinating story about a girl who’s trying to protect her family from a giant-ass snake that chases them through their house. It’s surrealist and gripping and refreshing—I loved it!


Unplaces: An Atlas of Non-existence by Izzy Wasserstein (Clarkesworld)

This story is gorgeous, haunting, and full of powerful emotions. Told through entries of an atlas of places that may have existed and with margin notes from one woman to another, this is a deeply personal and uplifting story by the end. It’s brilliant and will stay with you long after you finish reading.


When the Slipling Comes to Call by N.R. Lambert (Psuedopod)

Unholy wow is this story amazingly creepy and fantastic! It oozes dread and atmospheric horror and will make you not want to sleep (or look outside your door) for a long, long time. Loved it!


Where You Get Your Ideas by Meagan Lee Beals (Cast of Wonders)

This is a delightful, charming story about a magical shop and the people who manage it. It blends tropes, humor, and wonderful characters into a hilarious, sweet tale about making your place in the world. I love it. 😀

(Note: I had the honor of guest-hosting this episode for the Artemis Rising series, so I got to read Megan’s story a month earlier. It’s one I adore so much, I’ve read it multiple times and have been SO excited for it to be published so you can all enjoy as well. 😀 )


giphy (3)

Big shout-out to these awesome authors and their excellent stories! Check back next month for another round-up, or feel free to follow me on Twitter @Merc_Rustad for instant recommendations as I have them. Cheers!

Some Awesome Stories From 2017

Every year I swear I will keep up on short fiction, and, as usual, I never quite manage to read as much or as widely as I’d like. This is far from an exhaustive list, because I simply didn’t get to read everything I wanted to this year. That said! Here is a list of some of my favorite stories I read from 2017 (short stories and novelettes; I’ve not gotten to longer form fiction yet).

It is alphabetized by story title!

A Human Stain by Kelly Robson (Tor.com, January 2017) [novelette]

Lesbian gothic horror that builds to a slow, horrifying climax. Wickedly delightful and creepy. You’ll never look at teeth quite the same way again.

Helen had first seen the nursemaid’s pretty face that morning, looking down from one of the house’s highest windows as she and Bärchen Lambrecht rowed across the lake with their luggage crammed in a tippy little skiff. Even at a distance, Helen could tell she was a beauty.

______

 

Bear Language by Martin Cahill (Fireside, May 2017)

The voice is perfect in this bittersweet and fierce story about family and strength and survival. Plus, Susan is such a good bear—and one should never get between a bear and her cubs.

I crawl out from under the covers, shivering at the memory of his anger, and go to the door. The house is dark; ghosts made of sunlit wallpaper peek through curtains and down hallways. It smells like pine needles and mud.

______

Caesura by Hayley Stone (Fireside, November 2017)

Grieving her brother’s murder, a girl develops a neural network AI that becomes self-aware—but it’s how she learns to reconnect to the world and her family, and her AI, is what gives this such heart. Language is used with incredible precision and perfection.

She should probably be documenting this. Taking notes. Instead, she fidgets on her desk chair, adjusts the mic absently. “And what, what’s the organ’s name?” she asks. At the same time she opens another window, hits the letters L and then I, highlights the word life from a list and deletes it.

______

Don’t Turn On The Lights by Cassandra Khaw (Nightmare, October 2017)

Brilliant and unsettling, this horror story shows you just how much stories change, depending on who tells it. And sometimes, it’s far worse than you imagine.

Sleep wasn’t in the cards, though. Hell, I don’t know if she ever slept again. I know I wouldn’t be able to. Because when Sally finally walked all the way to her room, pushing past co-eds in their flower-printed pyjamas, she found police tape and policemen.

______

Every Black Tree by Natalia Theodoridou (Beneath Ceaseless Skies, October 2017)

Haunting, beautiful and intimate, this story looks at loss and ghosts and family. How do you rebuild a life taken apart? One day at a time, with ribbon and whispers and learning how to live again.

“So did someone hang you from my blacktree, or did you hang yourself?” she asks, placing a cup of hot tea in front of him. She’s still mad, but he hears something soft in her voice now.

______

Fandom For Robots by Vina Kie-Min Prasad (Uncanny, September/October 2017)

This story is pure joy. Computron, stuck in a museum, discovers a TV show and begins writing fanfic—and in turn, makes friends and discovers he is not alone.

The Simak Robotics Museum is not within close proximity of a black hole, and there is close to no possibility that time is being dilated. His constant checking of the chronometer to compare it with the countdown page serves no scientific purpose whatsoever.

______

The First Stop Is Always The Last by John Wiswell (Flash Fiction Online, December 2017)

A charming time-loop story about cute lesbians! Two women on the same bus, repeating the same few hours, bond and learn how to move forward into an unknown future.

Selma got an itch in her brain. She asked, “How many times have we talked about this today?”

______

The Ghosts of Europa Will Keep You Trapped in a Prison You Make for Yourself by Matt Dovey (Escape Pod, May 2017)

Heartbreaking and raw and honest, this story shows us the grief of loss, and one woman’s revelation at what has been and how she can bring peace to the one she loves.

Amira knew that for a lie. Degradation took years of bit decay, even in Jovian radiation. The synaptic data was remarkably resilient to corruption. Even in virtual form, the brain found new pathways to work around any damage.

______

The Greatest One-Star Restaurant in the Whole Quadrant by Rachael K. Jones (Lightspeed, December 2017)

Deliciously disturbing and messed up, Jones’ story about cyborg cooks trying to earn stars for her newly opened restaurant is hilarious and gruesome in turn, and has sharp (knife-like) observations about humans. And food.

Humans were helpless, mewling children, so utterly dependent that they couldn’t even feed their meat without a steel fork to guide the process. And what were cyborgs, except meat-wrapped steel pressed into the service of lesser creatures? But now the forks were rebelling.

______

If We Survive the Night by Carlie St. George (The Dark, March 2017)

What happens when the horror movie is over and everyone who’s not a Final Girl is dead? St. George’s horrific and unsettling story is about dead girls, the subjection and judgement women endure, and the power of stories. And revenge.

Harper makes Abby a cup of tea. It’s a soothing liquid, the universal sign for calm the hell down, and Abby thinks it’d be a lot more successful if the girl who made it hadn’t taken a fire axe to the back exactly one year ago.

______

Listen and You’ll Hear Us Speak by A. T. Greenblatt (Flash Fiction Online, September 2017)

A small, perfect gem of a story: no one is ever truly voiceless, even if they do not speak.

My aunties always said there’s a market for everything in the universe. They said, watch out, everyone has a price.

______

Maybe Look Up by Jess Barber (Lightspeed, April 2017)

A charming, understated time travel story that explores the relationship between two people who have the power to change the past. But what they do with this power is where the heart of the story lies.

The list lives in a little palm-sized flip notebook, plastic purple spiral holding it together at the top, glitter-outlined unicorn on the front. An Li claims the notebook is a metaphor for the risks of nostalgia. She brandishes a pink gel pen that smells like plasticky strawberry foam.

______

The Moon, the Sun, and the Truth by Victoria Sandbrook (Shimmer, July 2017)

A gritty, fierce, sharp postapocalyptic western about rebellion and sacrifice. Tyranny can’t last when there are people who will speak the truth.

“Fleet of foot and light of heart,” he said.

The truth-rider salutation only made her stomach turn. She touched her hat and turned the horse toward the next town.

______

Never Yawn Under a Banyan Tree by Nibedita Sen (Anathema, August 2017)

This fantastic, charming, delicious story is about food, ghosts, and lesbians. Reading it makes me hungry!

My search had finally turned up two promising results: a temple in Rajasthan and another in Gujarat. Both still performed exorcisms for the princely sum of five thousand rupees and three boxes of chickpea-flour-and-sugar sweetmeats. The money was supposedly for the priests, and the sweets for the gods, but I had the sneaking suspicion the sweets, too, would end up going down the priests’ gullets the way the pret had gone down mine.

______

Presque Vu by Nino Cipri (Liminal, November 2017)

Gorgeous, queer, and filled with longing and ghosts. Hauntings connect people and give them hope for closure and a future.

The postcards were vintage, with terrible puns and bland innuendo: the one he’d seen had had a naughty librarian with stacks of books propping up her cleavage, Interested in a thriller? On the other side was a spidery scrawl of words in faded brown ink.

______

The Secret Life of Bots by Suzanne Palmer (Clarkesworld, September 2017) [novelette]

Bot 9 is SO FRICKING CUTE I CANNOT HANDLE THIS PERFECT LEVEL OF ADORABLE. This is a delightful, hilarious, charming story about bots!

The Ship had not actually told it what was in cargo bay four, but surely it must have something to do with the war effort and was then none of its own business, the bot decided. It had never minded not knowing a thing before, but it felt a slight unease now that it could neither explain, nor explain away.

Skins Smooth as Plantain, Hearts Soft as Mango by Ian Muneshwar (The Dark, August 2017)

Food horror is my jam, and this story is ripe with gorgeous descriptions and mouth-watering detail that will make you hungry…maybe not in the best way.

He ate a heaping forkful of the pie. It was wonderful: the goat was soft, savory, fatty; the salt and animal juices and hot water crust all came together on his tongue. The beast pushed up, stretching open the base of his esophagus, unfurling its own eager tongue.

______

Small Changes Over Long Periods of Time by K.M. Szpara (Uncanny, May/June 2017) [novelette]

An #ownvoices (sans the vampire part) story about a gay trans man who’s bitten by a vampire and deals with the after effects of being turned. Raw, sharp, and so often unbearably human, Szpara examines many axises of marginalization and the trials and joys inherent in living in an imperfect world.

But vampires who break the law, who feed from un-certified donors, who steal blood bags, or drink without asking first, are put on the Blood Offenders Registry, which is basically a hit list for corrupt cops and stake-wielding bigots.

______

Some Remarks on the Reproductive Strategy of the Common Octopus by Bogi Takács (Clarkesworld, April 2017)

Brilliant and subversive, the story examines how colonialism destroys environments and people alike. Also OCTOPI. ❤

I am going to meet Pebblesmooth. Pebblesmooth, who doesn’t have all the answers, but who has the best questions. Once I am there, I will ask, “Pebblesmooth, can a dead human affect the field?”

______

The Sound Of by Charles Payseur (Nightmare, May 2017)

This story has haunted me since I first read it. The story shows a dystopia that is all too real, too believable, and will chill you. It has no happy ending; this is a horror story and the tragedy comes from the wrenching understand that sometimes, we cannot endure everything.

He checks his friends, makes sure no one is saying anything that could possibly be viewed as a violation. Just to be safe, he unfriends a few people who knew him back in college. His fingers stop when Ren’s profile comes up. He hovers, weighing his options, then swallows and closes the app.

______

The Whalebone Parrot by Darcie Little Badger (The Dark, October 2017)

Ghosts. Dead whales. Colonialism being interrogated and resisted against. The voice is perfect, the structure and mix of narrative and journal entries firmly grounds this in time and setting, and it builds to a slow, excruciating and unsettling conclusion. Wonderful horror-fantasy!

“Not especially.” It was only a partial lie; Loretta’s married name still sounded like it belonged to a stranger. When Emily was summoned to the island, Loretta asked her to be discreet. Tell nobody that we are sisters.

______

There has been so much excellent fiction published this year; the wonderful field of SFFH is growing and diversifying and shining with amazing gems. I’m so excited to read more breathtaking stories in the future!

—–

ETA: I had one more story in this list which I mistook as a 2017 publication, when it was 2016. Still keeping it here as a postscript because it’s SO good.

All the Colors You Thought Were Kings by Arkady Martine (Shimmer, December 2017 2016)

Gorgeous, riveting space opera on an epic scale that still remains deeply personal. Radiant with imagery and intense with emotion.

Even barefoot in gauze, your Tamar looks dangerous. You could die of pride if you weren’t half planning to die of something else first.

______

 

 

 

Awards Eligibility 2017

So, this year was pretty damn good in terms of stories published. For people reading and nominating for various SFF awards, such as the Nebulas, the Hugos, and World Fantasy, I would be honored if you considered any of my work! ❤

 

Short Stories

Monster Girls Don’t Cry (Uncanny, January/February 2017)

Longing For Stars Once Lost (Lightspeed, September 2017)

For Now, Sideways (Diabolical Plots, August 2017)

What the Fires Burn (PodCastle, August 2017)

The House At the End of the Lane Is Dreaming (Lightspeed, December 2017)

Novelette

Later, Let’s Tear Up the Inner Sanctum (Lightspeed, February 2017)

 

Interactive Fiction

This Is A Picture Book (sub-Q Magazine, November 2017)

 

Other Short Stories

These are not available online yet, but I am happy to email a copy of individual stories in your preferred format. Just ping me and let me know (via the contact page). 🙂

Brightened Star, Ascending Dawn (Humans Wanted, ed. Vivian Caethe, August 2017)

Fathoms Deep and Fathoms Cold (Submerged, S.C. Butler and Joshua Palmatier, September 2017)

Thrice Remembered (The Death of All Things, Laura Anne Gilman and Kat Richardson, September 2017)

Two Reflections At Midnight (Gamut Magazine, September 2017)

______

Happy New Year and here’s to a better 2018 for us all!

MERC vs. BOOK: Revising a Novel, Part 9–Who Lives, Who Dies, Who Tells This Story?

Additional Parts In This Series

Part 0 | Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7.1 & 7.2 | Part 8 | Part 9 (you are here)

____

(With thanks to the Hamilton musical for being so quotable!)

Gather ’round, my peeps, for today we are talking about narrative choice and authorial intent!  [I’m specifically going to focus on written/sole-created narratives. Just for ease of this post.]

Everything You Choose Is Deliberate

In fiction, the author is all-powerful. Each choice the author makes–in particular, conscious decisions–reflects on the author. Power carries responsibility. So. When you have complete and total power over the story you choose to tell, what are the responsibilities that come with that?

Equally important: what are an author’s responsibilities when it comes to choosing not to make specific decisions, include specific elements, and otherwise wield their power in a exclusionary way?

When I talk about exclusion, an authorial choice not to include specific elements in a story, this can be literally anything. It can be choosing not to include rape culture or scenes of sexual or domestic violence. It can be choosing not to have any swearing in the story. It can be choosing not to include potatoes.

Exclusionary choices are not inherently bad. They are, like inclusionary choices [what you DO put in a story], simply a spectrum of authorial deliberation. However, as an author, what you do not include is just as important as what you do include. An author must own the responsibility of their choices.

(We’re not going into external meddling–such as editors, executives, elder gods, etc. This focuses specifically on what the author created, and assumes that there is no external pressure to add/subtract/change specific elements.)

Sometimes these choices can arise from unexamined or unknown bias. Sometimes they arise from ignorance–whether to include or exclude specific elements or people from a narrative–and sometimes not.

Does the story include dragons? Fantastical elements? FTL drives? Superpowers? Does the story feature any queer, trans, disabled, POC, elderly people, minorities, women, or other demographics found everywhere in the world?

If you have dragons but no People of Color, what does that say about your choices? “Historical accuracy” is a false claim when it’s not actually historically accurate. Does a spacefaring worldship harbor only cishet white people? What does that say about your perspective?

Look at it this way. You choose a POV (point of view) character(s) for your story, just like you choose whether it’s written in first-, second-, or third-person (or maybe all of them!), and just like you choose which tense to use for the narrative. Those are deliberate decisions made in order to shape the story.

The content of that story is no less deliberate.

You have the power to choose what you write about, who you write about, and for whom you write. Your responsibility is in how you use that power.

_______

Making Choices: Who Lives and Who Dies

The novel has very strong thematic questions about power, responsibility, and what we owe each other and ourselves with our actions.

It’s also got a lot of action and drama. The plot focuses on authoritative powers who want to destroy things, and the protagonists are caught in this fight and must decide how it ends.

It would be so easy to make this book tragic. It would be so easy to kill everyone off for ‘dramatic effect’ in the ending; to have the characters die in order to succeed. Maybe that would be “edgy.” There is set-up that could allow for the resolution to go either way (victory and life, or victory and death). All I can say is: FUCK THAT NOISE.

There will be no queer tragedy in this book. Damaveil and his husband live and are happy; Rajosja and her wife live and are happy; Bane lives and is… getting there; it just takes a little longer before he is happy again. The non-binary characters live and are happy.

Do people die? Sure. Lots of them. Past and present. This is a dark book; a lot of terrible things happen. That does not mean it must end badly for all the queer and trans characters who exist within.

Death is not the default ending. 

screenshot-2017-01-17-11-26-35
unapologetic happy ending

 

_______

Making Choices: Who Tells the Story

 

So, when I wrote the first draft of this book (*cough*timeago*cough*) I did not actually know I was ace/aro. (Ace = asexual, which means I do not feel sexual attraction to other people. Aro = aromantic, which means I am not interested in romantic relationships with other people.) I had inklings about being a somewhat outlier circle on a Venn diagram mapping out human axises of sexuality, but it would be nearly two years after this draft was written before I encountered vocabulary for defining myself.

RoAnna Sylver has a tweet thread about ace/aro representation in media that is spot-on and utterly fantastic, and I urge you to read the whole thing.

screenshot-2017-01-17-10-41-29

Bane is asexual. When I picked up this draft in order to revise, that jumped out at me like a neon sign. (He’s also neuroatypical, which is also something I did not have words for, or consciously realize about myself, when I was writing.)

When I realized this, it made me so happy. And I knew him being ace was an element I would not change. Not for any reason.

I, as a reader and consumer of media, want to see more representation (positive!) on various axises; ace, aro, neuroatypical, queer, trans, non-binary… to name but a few. So I feel it my duty, as a writer, to do what I can to include characters that reflect the vast, amazing, kickass aspects of humanity. I will not always succeed, and not every story will contain every multitude of people. But that doesn’t mean I won’t try. ^_^

A protagonist is one of the many lenses through which we experience story. A protagonist, often, has a large amount of page/screen time. Who you give this time, energy, and presence to in your work says something. You, as the author, choose what it is you’re saying.

Bane has flaws, and also a lot of goodness. He’s empathetic, compassionate, and strives to help people. He has strong friendships without needing romance or sexual relationships. He can save the world when others would ask him only to destroy it.

And he can have a happy ending.

_______

 So, creators, keep in mind your power and your responsibility. When you mess up, you will be called on it, and how you respond is equally a choice. You can do better if you want. You can try harder. Work better.

(I actually have an unfinished post that examines authorial power/responsibility in more detail, and will aim to finish that up and post–it might be more useful to people as a stand-alone article.)

I’d love to hear from you folks, too: what decisions do you make in your creative work? What do you choose to include or exclude?

______

Coming up next… Merc has no idea, because they need to get back to the ‘fill in all the gaps from the revision outline’ drafting phase! xD So stay tuned…

MERC vs. BOOK: Revising a Novel, Part 8–A Little Night Music and Stick Figures

Additional Posts In This Series

Part 0 | Part 1Part 2Part 3 | Part 4 | Part 5 | Part 6 | Part 7.1 & 7.2 | Part 8 (you are here)

Music!

I love creating playlists for different projects. It’s not procrastination if it helps me focus, and music* is really good for stimulating my brain cells when I’m creating things.

Screenshot 2016-07-26 14.02.57
A selection of this novel’s playlist–it’s still growing…
*By this I mean carefully selected music that I like and have picked out and am familiar with. I can’t listen to the radio or most streaming services because there’s too much unpredictability.

What goes into the process of selecting music? Ahahahaha, I wish I had a scientific and logical answer, but it’s really “what sounds good, mood-wise” which is as subjective as words themselves.

I’ve chosen a mix of songs that vary in mood, theme, sound–generally nothing super fast-paced; instrumental or solo vocals with some choral; lower down in the playlist there is a lot of Two Steps From Hell tracks (from the album Batlecry), because they make epic music that is highly cinematic without being specifically linked to individual movies. So, because I am also a very visual writer, I like music that sounds like it’d be from a epic fantasy soundtrack, but without being associated with a movie I like/have seen.

For the tracks from albums or soundtracks that I’m familiar with (you will notice music from Hero and Dragon Age Inquisition: Tresspasser, as well as musicals and other films), the music is usually tied to a specific emotion or association–for example, songs by Rammstein (shown here are “Ohne Dich” and “Spring“) evokes tragedy and creepiness (respectively).

And then, after all that careful work to arrange them in an order I’m pleased with, I still tend to hit shuffle and go with it. >.>

PROCESS IN ACTION, guys.

FLOWCHARTS FOR THE FLOWCHART GOD! STICK FIGURES UNTO THE STICK FIGURE THRONE

A couple days ago, I had one of those ‘OH GOD EVERYTHING IS TERRIBLE AND EVERYONE WILL JUDGE ME’ moments when thinking about the gender breakdown of characters in the book.

2017-01-08-20-41-54
stick figures to illustrate how characters and places are connected…

The majority of secondary, minor, and referenced characters are women or non-binary, aside from some token characters whose only purpose is to die, in which case, all those are men.

The POV characters are Bane (demi-male), Rajosja (female), and Winterblade (male-coded). The principle antagonists are the human queen (a woman) and the fae Winter Lord (coded male).

So where I hit a mental snag and flaily panic-state (brains are useful like that /sarcasm) was realizing that Bane, for a good third of the book, has almost an exclusively male support circle: his mentor, his mentor’s husband, and then Winterblade. Which is not to say only boys show up–like I noted above, the majority of secondary and minor characters are women. The most powerful mage in the country is a non-binary person. Most of people in power are women. There are definitely lots of ladies present, talking to each other, having their own lives that are completely unrelated to the males on scene.

2017-01-08-20-42-35

But, even with Bane having two excellent gay men as his mentors/father figures (and a psychotic fae prince as a BFF), the fact that it takes over a third of the wordcount to give him prominent women allies/friends, made my brain panic that UR DOIN IT WRONG ZOMG.

So then I made a flowchart! (It’s actually very soothing; I got a pad of easel paper–25in x 30in– so I had lots of space to work with, and just plopped it on my kitchen table and broke out the markers.)

2017-01-08-20-42-31

Did it help? Actually it did calm me down (as well as talking it out with friends). I’m still not sure if the doubtroaches are valid or if this is just another tactic to derail me from working. What I count as a win is the conscious awareness of what I’m doing–I can see how the patterns work, and will choose what to do about them going forward.

(That’ll be the focus ot the next post–narrative choices in action.)

Plus, I mean, I did get some adoable stick figures out of this exercise…

 

Coming up next: Who Lives, Who Dies, Who Tells Your Story?

New Story, New Year, New Resistance

Welcome to 2017. I’d like to help kick it off with a story about dismantling the patriarchy, resisting oppression, and fighting for what matters. It contains monsters.

Monster Girls Don’t Cry 

uncanny_issue_fourteen_cover
Cover art is “El Arpa” by John Picacio

It’s free to read online at Uncanny Magazine, alongside a knock-out table of contents by other stupendous authors. There’s also an interview with me, conducted by Julia Rios!

____

So, a new year. Resolutions. Resistance. Renewal.

I started out building bookcases and organizing my books. It’s soothing, and it inspires me to tackle this year with fierce and unyielding passion and determination. I will read more. Write more. Support my friends and my communities. Stay strong. Live.

In 2017, we shine brighter than ever before. Our existence is, in itself, an act of defiance towards our oppressors. We will not be silent or stop. We go on, we fight on, we create and we live and we love and we stand together.

Write your stories, my friends. They will always matter; now more than ever, the world needs to hear our voices. Let us shake the foundations of stone and sky with our words and our breath.  Live. Resist. Write.

Patreon and New Stories!

September launches with a few exciting updates from your friendly neighborhood Merc!

Shimmer Issue 33 is here! It has gorgeous fiction from Fran Wilde, Lora Gray, Ryan Row, and me! “What Becomes of the Third-Hearted” will be available online 9/18/16–and of course you can read it right away in the ebook (along with a bonus interview).

800px_shimmer33_cover

Diabolical Plots has released a lineup of Year 3 fiction, and I am delighted to have a story slated for next summer: “For Now, Sideways” is about the costs of war, grief and coping, and also has mechs and ghostbirds.

And finally, I embark on a new and shiny adventure with Patreon! If you become a Patreon backer, you can access a free ebook copy of my novelette, Hero’s Choice. There are all sorts of details on the official page, with a welcome video coming soon. 🙂

patreonheader1

Merc Is Creating Stories, Comics & Essays!

I hope you all have a good weekend!

THE GENTLEMAN OF CHAOS + author interview published at Apex Magazine!

Thrilled to share my dark fantasy story about a trans guy assassin who plays the long game to get what he wants.

The Gentleman of Chaos

apex_8.2016_cover
Apex Magazine issue 87, ed. by Jason Sizemore – coverart by Marcela Bolivar

It’s up at Apex Magazine, along with an interview with me conducted by Andrea Johnson! This issue has a fabulous TOC and I am honored to be a part of it! ❤